% Version 1.15 % Last edit: April 4, 2006 \version "2.8.0" \include "english.ly" #(set-default-paper-size "letter") #(set-global-staff-size 20) #(ly:set-option (quote no-point-and-click)) title = "Tantum Ergo" poet = "St. Thomas Aquinas" translator = "tr. Edward Caswall" composer = "John Francis Wade" meter = "87.87.87" piece = "St. Thomas" arranger = "" world = { \key d \major \time 4/4 \autoBeamOff } melody = \relative c' { \world d4 e fs d | e fs g fs | b a g fs | e e d2 | d'4 cs d a | b a g fs | b cs d cs | b b a2 | a4 a fs d | e fs g fs | b a g fs | e e d2 \bar "||" < \tweak #'font-size #-1 g d>2 < \tweak #'font-size #-1 fs d>2 \bar "|." } alto = \relative c' { \world a4 cs d d | a d cs d | d d d8[ cs] d4 | d cs d2 | fs4 e d d | d d d8[ cs] d4 | fs4. e8 d4 e | e4. d8 cs2 | d4 e d d | cs d d8[ cs] d4 | d d d8[ e] d4 | d cs a2 | b2 a } tenor = \relative c { \world fs4 a a a | a a a a | g a b8[ g] a4 | a4. g8 fs2 | a4 g a fs | g a a a | d cs b a | a gs a2 | a4 a a a | a a g a | g a b8[ a] a4 | b a8[ g] fs2 | g2 fs } bass = \relative c { \key d \major \time 4/4 d4 a d fs | cs d e d | g fs e d | a a d2 | d4 e fs d | g fs e d | b as b cs8[ d] | e4 e a,2 | fs'4 cs d fs | g fs e d | g fs b,8[ cs] d4 | g, a d2 | g, d' } wordsOne = \lyricmode { \override LyricText #'font-shape = #'italic \override StanzaNumber #'font-shape = #'italic \set stanza = "1. " Tan -- tum er -- go sa -- cra -- men -- tum Ve -- ne -- re -- mur cer -- nu -- i; Et an -- ti -- quum do -- cu -- men -- tum No -- vo ce -- dat ri -- tu -- i; Præ -- stet fi -- des sup -- ple -- men -- tum Sen -- su -- um de -- fec -- tu -- i. } wordsTwo = \lyricmode { \override LyricText #'font-shape = #'italic \override StanzaNumber #'font-shape = #'italic \set stanza = "2. " Gen -- i -- to -- ri, Gen -- i -- to -- que, Laus et ju -- bi -- la -- ti -- o, Sa -- lus, ho -- nor, vir -- tus quo -- que Sit et be -- ne -- dic -- ti -- o: Pro -- ce -- den -- ti ab u -- tro -- que Com -- par sit lau -- da -- ti -- o. A -- men. } \markup { \column { \fill-line { \large \bold \title } % title \fill-line { \caps \piece % piece \caps \composer % composer } \fill-line { \meter % meter \arranger % arranger } } } \score { \context ChoirStaff << \new Staff << \context Voice = soprano { \voiceOne \melody } \context Voice = alto { \voiceTwo \alto } \context Lyrics = one \lyricsto soprano \wordsOne \context Lyrics = two \lyricsto soprano \wordsTwo >> \new Staff << \clef bass \context Voice = tenor { \voiceThree \tenor } \context Voice = bass { \voiceFour \bass } >> >> \layout { \context { \Score % **** Turns off bar numbering \remove "Bar_number_engraver" } \context { \Lyrics % **** Prevents lyrics from running too close together \override LyricSpace #'minimum-distance = #0.6 % **** Makes the text of lyrics a little smaller \override LyricText #'font-size = #-1 % **** Moves lines of lyrics closer together \override VerticalAxisGroup #'minimum-Y-extent = #'(-1 . 1) } } } \markup { \normalsize { \fill-line { \hspace #3.0 \line { \bold "1. " \column { "Down in adoration falling," "Lo! the sacred Host we hail;" "Lo! o'er ancient forms of worship" "Newer rites of grace prevail;" "Faith for all defects supplying," "Where the feeble senses fail." } } \hspace #3.0 \line { \bold "2. " \column { "To the everlasting Father" "And the Son who reigns on high," "With the Holy Ghost proceeding" "Forth from each eternally," "Be salvation, honor, blessing," "Might and endless majesty." "Amen." } } \hspace #3.0 } } } \markup { \fill-line { " " \column { \small \caps \poet % poet \small \caps \translator % translator } } } %{ Music per _Worship III_, #758. Changelog: 4/4/06 removed point-and-click from the PDF, switched to new formatting %}